Mur Mur 66

Mur Mur 66
2011 - 30 cm x 30 cm
Techniques mixtes sur toile

Mur Mur 67

Mur Mur 67
2011 - 30 cm x 30 cm
Techniques mixtes sur toile

Mur Mur 68

Mur Mur 68
2011 - 30 cm x 30 cm
Techniques mixtes sur toile

Mur Mur 70

Mur Mur 70
2011 - 30 cm x 30 cm
Techniques mixtes sur toile

Mur Mur 80

Mur Mur 80
2011 - 30 cm x 30 cm
Techniques mixtes sur toile

Mur Mur 81

Mur Mur 81
2011 - 30 cm x 30 cm
Techniques mixtes sur toile

Mur Mur 82

Mur Mur 82
2011 - 30 cm x 30 cm
Techniques mixtes sur toile

Mur Mur 83

Mur Mur 83
2011 - 30 cm x 30 cm
Techniques mixtes sur toile

Mur Mur 84

Mur Mur 84
2011 - 30 cm x 30 cm
Techniques mixtes sur toile

Mur Mur 86

Mur Mur 86
2011 - 30 cm x 30 cm
Techniques mixtes sur toile

Mur Mur 88

Mur Mur 88
2011 - 30 cm x 30 cm
Techniques mixtes sur toile

Mur Mur 89

Mur Mur 89
2011 - 30 cm x 30 cm
Techniques mixtes sur toile

Mur Mur 90

Mur Mur 90
2011 - 30 cm x 30 cm
Techniques mixtes sur toile

Mur Mur 91

Mur Mur 91
2011 - 30 cm x 30 cm
Techniques mixtes sur toile

Mur Mur 92

Mur Mur 92
2011 - 30 cm x 30 cm
Techniques mixtes sur toile

Mur Mur 96

Mur Mur 96
2011 - 30 cm x 30 cm
Techniques mixtes sur toile

Mur Mur 97

Mur Mur 97
2011 - 30 cm x 30 cm
Techniques mixtes sur toile

Mur Mur 98

Mur Mur 98
2011 - 30 cm x 30 cm
Techniques mixtes sur toile

Mur Mur 99 - Vendue

Mur Mur 99
2011 - 30 cm x 30 cm
Techniques mixtes sur toile
Vendue

Mur Mur 100

Mur Mur 100
2011 - 30 cm x 30 cm
Techniques mixtes sur toile

Mur Mur 101

Mur Mur 101
2011 - 30 cm x 30 cm
Techniques mixtes sur toile

Mur Mur 106

Mur Mur 106
2011 - 30 cm x 30 cm
Techniques mixtes sur toile

Mur Mur 107

Mur Mur 107
2011 - 30 cm x 30 cm
Techniques mixtes sur toile

Mur Mur 108

Mur Mur 108
2011 - 30 cm x 30 cm
Techniques mixtes sur toile

Mur Mur 109

Mur Mur 109
2011 - 30 cm x 30 cm
Techniques mixtes sur toile

Mur Mur 112

Mur Mur 112
2011 - 30 cm x 30 cm
Techniques mixtes sur toile

Mur Mur 115

Mur Mur 115
2011 - 30 cm x 30 cm
Techniques mixtes sur toile

Mur Mur 116

Mur Mur 116
2011 - 30 cm x 30 cm
Techniques mixtes sur toile

Mur Mur 119

Mur Mur 119
2011 - 30 cm x 30 cm
Techniques mixtes sur toile

Mur Mur 120

Mur Mur 120
2011 - 30 cm x 30 cm
Techniques mixtes sur toile

Mur Mur 137

Mur Mur 137
2011 - 30 cm x 30 cm
Techniques mixtes sur toile

Mur Mur 138

Mur Mur 138
2011 - 30 cm x 30 cm
Techniques mixtes sur toile

Mur Mur 139

Mur Mur 139
2011 - 30 cm x 30 cm
Techniques mixtes sur toile

Mur Mur 140

Mur Mur 140
2011 - 30 cm x 30 cm
Techniques mixtes sur toile

Mur Mur 141

Mur Mur 141
2011 - 30 cm x 30 cm
Techniques mixtes sur toile

Mur Mur 142

Mur Mur 142
2011 - 30 cm x 30 cm
Techniques mixtes sur toile

Mur Mur 143

Mur Mur 143
2011 - 30 cm x 30 cm
Techniques mixtes sur toile

Mur Mur 144

Mur Mur 144
2011 - 30 cm x 30 cm
Techniques mixtes sur toile

Mur Mur 145

Mur Mur 145
2011 - 30 cm x 30 cm
Techniques mixtes sur toile

Mur Mur 146

Mur Mur 146
2011 - 30 cm x 30 cm
Techniques mixtes sur toile

Mur Mur 148

Mur Mur 148
2011 - 30 cm x 30 cm
Techniques mixtes sur toile

Ardoise enchaînée

Ardoise enchaînée
2066 - 146 cm x 114 cm
Techniques mixtes sur toile

Auto-portrait

Auto-portrait
2005 - 100 cm x 81 cm
Techniques mixtes sur toile

Convoi N°2

Convoi N°2
2005 - 116 cm x 89 cm - 2005
Techniques mixtes sur toile

Convoi N°3

Convoi N°3
2006 - 100 cm x 100 cm
Techniques mixtes sur toile

Ecriture rouge

Ecriture rouge
2005 - 35 cm x 27 cm
Techniques mixtes sur toile

Eclairer Le Monde

Eclairer Le Monde
Installation créée en 2010 par Marc Ash pour dénoncer la censure et honorer la liberté de la presse
Fondation Pierre Nothomb en Belgique

Eclairer Le Monde

Eclairer Le Monde
Installation créée en 2010 par Marc Ash pour condamner la censure et honorer la liberté de la presse
Fondation Pierre Nothomb en Belgique

Eclairer Le Monde

Eclairer Le Monde
Installation créée en 2010 par Marc Ash pour condamner la censure et honorer la liberté de la presse
Fondation Pierre Nothomb en Belgique

Eclairer Le Monde

Eclairer Le Monde
Installation créée en 2010 par Marc Ash pour condamner la censure et honorer la liberté de la presse
Siège du journal Le Monde à Paris

Eclairer Le Monde

Eclairer Le Monde
Installation créée en 2010 par Marc Ash pour condamner la censure et honorer la liberté de la presse
Siège du journal Le Monde à Paris

 
 


MARC ASH was born in 1958 in Oran. He lives and works in Paris, but he also travels all around the world to show his works and to maintain a dialogue with collectors and art professionals.
Graduated in strategic marketing, he started his international professional career in London in 1978. Marc Ash has been painting since his very young age and the desert has always been one of the central themes of his work. In 1998, he definitively hung up his suit and ties and dedicated himself to painting and rusting the metals he uses in his creations.
FRANCE 2, the leading public French TV covers the "Salon d'Automne" in October 2000, and his works are noticed by some art critics. His paintings are for the first time filmed and presented on the TV news.
In December 2000, Ash's works are presented in the prestigious Galleria Blu in Milan. The Galleria Blu notably exhibits Basquiat, Burri, Fontana, Kandinsky, Klein.
Marc Ash's work becomes part of important collections in Italy.

During the Biennale di Venezia in 2001, Ash presents an important collection of his paintings in a solo show, in a palace that was once the Venice Art School. The art critic Silvia Evangelisti calls Ash the leader of the young «neo-materists».
In November 2001, he also presents a series of recent paintings in Paris.
Throughout 2002, Marc Ash works on a project dealing with intolerance called «Tous Ensemble» (All Together). He produces more than 50 works: paintings, photos, sculptures and creations.
This installation takes the shape of a denouncement of violence and a strong project to educate large populations, including children to contemporary creation and to history through an artistic language, as well as paying homage to all populations that have suffered and that are still suffering all over the world.
In January 2003, the Museo del Palazzo Reale in Milan exhibits part of this project. The Press, the critics and the public are unanimous in their praise.
Marc Ash is the first living artist to have his works exhibited at the Palazzo Reale.
In June 2003, the entire installation of "Tous Ensemble" is presented in Venice as part of the circuit of the 50th Biennale, overseen by the art critic and journalist Enzo Di Martino. The exhibition of Ash's work is hosted by the prestigious Scuola dei Mercanti.
During his stay in Venice, Ash meets Posy Chisholm Feick, President of the Board of the PGC Peggy Guggenheim Collection in Venice. In July Mrs. Chisholm Feick invites the members of the PGC to a private showing to present Marc Ash.
The Press stresses that this collection forms part of the 7 major exhibitions that are a "must" in Venice during the Biennale with its total of 380 events.
In September 2003, Ash is part of a group of international artists representing France at the Beijing Biennale.
In October 2003, during a visit to New York, Ash meets Walter Moos, the famous gallery owner from Toronto, who immediately starts promoting his work in Canada. Walter Moos also operates in Zurich.
Several personal exhibitions have been planned all over the world, notably in Toronto, Montréal, New York, Miami, Saint- Pétersbourg, Beyrouth, Madrid, Milan, Paris, Mexico, Moscow.


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